Wendy Bergfeld, Kyle Mischiek |
This
year’s lineup included musicians from Finland, Sweden, Norway and Denmark,
Scotland and Ireland, North Carolina and Louisiana – and of course a host of
Canadians too, many from Cape Breton. We sat close enough to read labels and count
whiskers. This year, typically, the music was delivered not just by fiddle, guitar
and piano but nyckelharpa, uilleann pipe and banjo too. We marveled at the
depth and range of talent on display; I felt freshly unworthy at never having
invested effort in learning to play anything, neither harmonica nor tin-whistle.
Tim Edey |
This
year’s was gilt-edged because we succeeded in persuading good pals Garth and
Carole to come to Cape Breton for their first taste of Celtic Colours. They
brought high expectations and weren’t disappointed. When we weren’t reveling in music we traveled
about the Island, savouring the other seasonal colours – the scarlet and gold
of Cape Breton’s autumn forests. En route to a Colours concert at St Peters we
took back roads to evocatively-named places that were lifers for our friends: Little
Narrows, Alba, Marble Mountain, Lime Hill.
There
was disappointment at Dundee when we arrived to find that the community
fishcakes-and-beans supper was sold out but the next day chef Richard Moore
provided abundant consolation at the Lobster Pound in North Sydney, creating
something special just for us, stuffed half-lobster that we all agreed was one
of the best feeds any of us have enjoyed, ever.
Celtic
Colours is a principal reason we stay in Cape Breton till late October. Perhaps
it was inevitable: we felt a letdown Friday when Wendy Bergfeldt closed the final
Mainstreet session and we bade farewell to Garth and Carole. The festival is
done for another year. A senior citizen like myself, Garth is wont to say that
our ‘window is closing’ so we’d better fill our remaining days as best we can.
I live in hope that a year hence we’ll be enjoying a Colours afterglow like the
one we’re savouring now.
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