Montreal
brought Barcelona to mind. Nine months ago we arrived in the Catalunyan capital
just in time for the annual St Jorge day extravaganza: Barcelona’s wide streets
were Amazons of human traffic, principally the young and the full-of-beans. In
Montreal it was another patron saint—Jean Baptiste—that brought young people
into the streets in their thousands.
We
had three full days in the great city, the first devoted to all an-day
walkabout in gloriously warm, sunny weather. We climbed Mount Royal, managing
all 256 steps of the escarpment staircase. We were impressed by the masses of
people who were out there with us bright and early.
War
memorials were a principal draw—whew, there’s
a surprise—in our Montreal stopover. Nowhere else in Canada offered me the
prospect of so many new-to-me monuments in one area, a good number of them by
sculptors I consider to be the best of those doing war memorial work in the
decade after the Great War: Coeur de Lion MacCarthy, George Hill, and the inestimable
Emanuel Hahn. I had marked a city map with several I considered reachable in a
day of walking. In the result we probably rambled close to 20 km and on this
holiday Sunday and found ourselves rubbing elbows with masses of other saunterers.
The
acme came on the lower eastern slopes of Mount Royal Park where Hill’s colossal
George-Etienne Cartier monument was the focal point of what we subsequently
learned is a regular summer event in Montreal, the every-Sunday tam-tam drumming festival. Scores of
drummers hammered a steady, relentless beat as thousands of young people
danced, lolled, smoked weed, sold crafts from blankets arrayed around the edges
of the square. The thought occurred that we might be the oldest people in a
crowd of several thousand.
Given
the heat we thought it might be good to take an afternoon break at an open-air
cafe offering chilled Molson’s and high-quality patates-frites. At Dorchester Square we found not one but two
George Hill works, including his dynamic, flamboyant Boer War monument. The
square featured other bronzes, of Robert Burns and Wilfred Laurier that were
improved in a way I do not cherish but likely dear to the heart of dedicated nationalistes: their cheeks adorned with
bleu-blanc-et-rouge flags.
We
navigated our way to the corner of Ontario and Clark streets, where Doris Irene
Bowles lived her early life, but saw very little that would have been familiar
to little Dodie when she was just ten. In the place of the tenement where she
spent her tender years there is now a park that serves as home to the Francofolies music festival. On Sunday
night we elbowed our way into the margins of a crowd of thousands and listened
to an orchestra of 30 or 40 backing chanteurs singing nationalist songs—en francais of course.
On
the Monday we decided to give the feet a rest, bought day passes for the subway
system and traveled underground to more distant monuments, a MacCarthy in
Verdun, a Hill in Westmount, a Hahn in St Lambert. We also learned the ropes of
the elaborate bus system operating on the opposite side of the St Lawrence and
managed to get ourselves to Longueueil and Brossard.
When
I was 11 and 12 I spent the summers with my grandmother—Doris’s mum—at Domville
Street in Notre-Dame-du-Sacre-Coeur. Both municipality and street names are vanished
but I negotiated a path through the mists of time to the site of her little
house, which of course is also long gone, replaced in 1983 by something
flashier, more durable. We chatted up the owner-occupiers of the new domicile
and heard a précis of what’s happened these past 55 years.
Back
in Montreal we enjoyed a thali of
good north Indian vegetarian fare at a hole in the wall on Milton Street then
wandered on foot to Old Montreal, mingled in the madding crowd, listened to
street musicians, ate ice cream, watched night fall, reveled in the ambiance.
As Jan observed, it was hard to imagine we were in North America.
My
gentle reader will agree that after two days of indulging my quest to see,
study and photograph bronze soldiers, it was only fair that Jan should determine
the agenda for the third day. And so she did. She thought it a good idea to
start the day off at the Museum of Fine Art and, in particular, its special
exhibition of Faberge objects. I admit to being an ignorant oaf, not even
understanding that the great jeweler was not a French national, but a Russian. The
lavish exhibit was headlined by four of the fifty famous Faberge Easter eggs
fashioned for the Russian tsar and his family late in the 1800s and in the
years culminating in 1918 when the tsar and his whole family were liquidated by
people possessed of different values.
Lest
anyone think Jan’s third-day program was a tedious bore to your loyal
correspondent, have another thought. Like everyone else wandering about the
exhibit I was taken captive by the precious objects and fascinated by the story
of Faberge and the Romanov royals.
There
were additional rewards: the museum has many treasures in its permanent
collection. We checked as many galleries as we could in the time allotted and
even found a few pieces by ‘my guys’, the aforementioned memorial sculptors: a
George Hill bust here, a quartet of Henri Hebert figures there. In the end we
stayed until nearly closing time. On the way out I bought Jan a bauble, an
egg-shaped pendant featuring Swarovski crystal, traces of gold and silver, all
of it fashioned not in a Chinese sweatshop I’ll have you know but in Virginia
by Russian émigré jewelers. (I am not entirely
a turd.)
All
the while we were inside it had been raining chats-et-chiens out-of-doors. The rain relented a little as
afternoon morphed into evening. The Boss decided that for the last supper a
greasy spoon or sidewalk cafe would not do. She demanded and got a venue with
tablecloth and good silverware, a French restaurant whose offerings of food and
wine were entirely worthy of the tablecloth and cutlery.
Our
just-around-the-corner digs were on the third floor of a little old hotel on
Sherbrooke Street whose charms included no elevator and hot water that was insistent
on taking six minutes to appear when summoned. The hotel’s other charms,
including its friendly and helpful hostess, were compensatory: we departed
after four nights feeling nothing but good will and good cheer toward the
domicile and the entire city. Merci,
Montreal. C’est si bon.